Where the sun was
Evan D. Williams & Farryl Last
delicate blue earth,
when i touch the melt.
air gasp, a tongue on night flowers. container.
put the sun in it.
suns talk across
their cloudline. then several. a
landscape composed of light is just a landscape
with a lot of light.
built geometries reduce
to parts when summer turned
birds jittery, ocean edge flutters, under, even the
arctic seed vault in danger
of dying. field,
without surface, goodbye. bees. goodbye,
bees and small fish and sprouted seedlings not
taken by flood. milkweeds and
deer, nautiluses, beaked
and whorled, a dream: remember,
nacreous sunrise. because as far as i could
see the industrial scrawl. then
i went too
far into my own mind.
trees became green. lights became lights, then green,
and then a little yellow.
very soon sun
spills back. the tissued landscape
drags neon onto. several vectors of disaster. small
hollow of the fronds and
long thin stems
in negative space, the lilt
of it. hey, the sun said, there’s a
mechanical thrum. pulsing space. and
slips into grid.
sun slips into grid and
tongue light. you don’t live anywhere. arcade of
yellow sun spreads open, a
whorl of bees
haunt earth, as tender as
A Note on the Authors:
Evan D. Williams investigates the quandaries of the numinous and carnal self. Other recent projects include That Nation Unknown, also published in The Marlowe Review with introductory text by Farryl Last.
Farryl Last is a writer and international educator. Her poetry has appeared or is forthcoming in publications such as Bennington Review, SAND Journal, Cream City Review, and Willow Springs.
The photographer wishes to thank L. for the VIP transportation and S. for the fancy camera equipment.